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The future is bright...

We are currently revamping Obus in Northcote - so that we can welcome you back later this year to a fresh new space and a gorgeous new collection!

Giving Back

We're always looking at ways to give back to our local community. Learn more about some initiatives close to our hearts...

Journey 52: ANTIPODES

Florals as delicate as butterfly wings and crocodile scales that crackle with texture, ANTIPODES celebrates the symbiotic unity of opposites – dangerous and delicate, before and after, light and dark.

We’re embracing what exists within nature at each end of the spectrum, and all the colours in between.

While we may be worlds apart, we remain connected.

Together in UNITY

The UNITY COAT pairs classic, oversized cool with premium wool for throw-on warmth and style. Made in Melbourne in very limited numbers, these beautiful pieces won't last long.

#FORTHELADIES

Here you'll find recipes, tutorials, tips and downloadable goodies. Enjoy!

CREATING IN LOCKDOWN WITH NONNY B

CREATING IN LOCKDOWN WITH NONNY B

Meet Nonny B (aka Nynno), an artist and photographer who we're grateful to be able to collaborate with here at Obus.

With a penchant for exploring global culture through the arts, she gains inspiration and insight from the world’s vibrant subcultures. We caught up with Nonny to see how she's maintained her sense of creativity during lockdown and share her latest single, 'Defeat'.

. . . . .

Earlier this year you shot our OLANA x OBUS collaboration - which seems like a lifetime ago now - tell us what it’s like to work with other creatives?

As a freelance photographer, time in between people-based shoots can be a bit isolating. So working with other creatives is a great opportunity to connect with like-minded people and get inspired.

The OLANA x OBUS collaboration was a great one to be part of because there were so many parts to it; Olana had his process for creating his masterpieces, Team Obus had their method of taking that work and making it wearable, then I took that work and helped to create some imagery.


Where do you get your inspiration for singing, songwriting and photography?

From everything and everywhere. I like to observe the world around me, whether that’s through documentary, music, my culture, personal life or the accounts of those closest to me.

With music, I like to let ideas swirl around in my head, sometimes I’ll reflect on my own experiences or give other people’s stories alternate endings. In the future, I’m hoping I can learn to challenge myself more by writing lyrics that are so outrageously far from myself and my personality, like a personal ghostwriting exercise.

Photography tends to be a bit more collaborative, so I often bear in mind the aim of the shoot and the skills of the people I’m working on the project with. I also try to see if there’s an opportunity with every shoot, to create something that challenges me technically and well as creatively.

 

Thanks for sharing your new single ‚ÄėDEFEAT' with us via IGTV [Watch here], tell us what it's about?

It’s mostly about walking away from the irreconcilable differences in a relationship. It speaks on the desire to allow for vulnerability but also reflects on the importances of knowing and respecting your personal boundaries.

 

How have you been keeping your momentum going during the Melbourne lockdown?

I’ve enjoyed certain aspects of isolation - having time to reflect, take in art and media, go on walks and create.

I’ve tried to embrace relaxation but I also have a slight fear of developing mental atrophy from extensive periods of inactivity [haha]. Ultimately I’ve maintained momentum by trying to keep balance in mind - making sure I’m productive with my time but also resting when I need to. You have to be kind but also honest with yourself.

 

What are you looking forward to the most this Summer?

Beers in the park. And hugging friends and family.
 



ABOUT NONNY B AKA NYNNO

Nynno Bel-Air Melbourne-based photographer, specialising in fashion, portraiture and social content.

She is also a creative singer and songwriter who is quickly becoming known for her broody brand of R&B. With verses that are paradoxical, her music delivery decidedly relatable themes in a casually esoteric yet playful way reminiscent of the soulful divas she's inspired by.

Get in touch via her website or follow her on Spotify.

Instagram: @nynnobelair

Website: Get in touch via her website or follow her on Spotify.

Nynno wears Obus Aster Wrap Dress. Image + Video courtesy of Nynno Bel-Air.

THE WFH WARDROBE

THE WFH WARDROBE

How long has it been since we were collectively sent home from the office? Who can remember when the individual days of the week merged into one featureless, never-ending Tuesday so soon after WFH became the status quo. But if it was say, February-ish, it’s been half a year since our kitchen tables became family desk-islands, the passenger seat of the car a conference room for calls that could not be set to a soundtrack of children fighting and on desperate days, the bathroom a break-out space for scrolling Instagram in silence for the few minutes before you were sought out by someone needing a snack, pencil sharpener, band-aid, charger etc.. Etc., etc., etc., literally all the etcs.. 

As noted at the time, one of the few upsides to a global pandemic was getting to give up proper workwear, anything dry-clean-only and agony around the waist by 11.30a.m, which is to say the majority of workwear if you’re a woman. 

There were hashtags, memes, there were newspaper stories about the splendour of nine-to-five sweatpants. And of course, to begin with it was pure joy. But then, at some point, so much fleece began to feel less like a personal choice and more like the inmate uniform of a low-security work prison. We began to long for anything with a waist, a dart, a cuff. And although some of us have, in recent weeks, been allowed to re-enter society/our offices, for others WFH is looking a lot like a sentence without a known release date.

As a writer, I have served 15 years already and¬†like¬†anyone who was already doing it,¬†I¬†have learned¬†the ins and outs of¬†not¬†leaving the house.¬†I know when and what to eat¬†‚Äď a¬†proper lunch at lunchtime, not a day-long degustation of¬†crumpets,¬†seaweed crackers,¬†cooking chocolate and the¬†leftover¬†contents of a¬†children‚Äôs¬†party bag.¬†I know¬†the¬†vital¬†importance of¬†a¬†morning shower, vs.¬†a¬†bit of a wash.¬†I know that when the suggestion is¬†first put,¬†a¬†day-time social event seems like a¬†treat and that, on the day, you¬†will not have time¬†and¬†feel¬†terrible for¬†cancelling¬†and even worse if you¬†don‚Äôt.

As choices, they may seem unrelated but actually they are all made in service of the same goal: keeping your mood up, the hardest and most important part of WFH. Since fashion is the best mood-keeper-up there is, here is what I have learned about dressing for a kitchen desk. 

YOU CANNOT GET TWO DAYS OUT OF A TOP 
I mean, you can. When you do not go out, use public transport or move amongst people all day, your tee will probably still be good at the end of the day. But what you wear today the way is the only way you know it’s not yesterday, and once you have crossed the two-day threshold, it feels like, why not try for a third? And then it’s Thursday so why not see out the week in this tee? Actually, it’s become so soft, why not sleep in it Thursday night? Because it will be the beginning of an inexorable sartorial slide and, when you try to take it off at the weekend, the fabric will have fused to your underarms and require removal by a medical professional. 

WASH YOUR HAIR MORE OFTEN 
If you’re actively trying to get depressed, then definitely, cut back on real washes and just dry-shampoo until your hair is a single clump of matter. But if you’re looking to stay out of an emotional trough, wash your hair more often. It’s the quickest, cheapest form of self-care and even if it adds a little bit of time to your morning routine, you make it back on not having to go anywhere ever. 

WEAR COLOUR 
Whereas once, there was such a thing as a coloured load and a white load, you might have noticed that lately, you’re doing more, a single grey wash. For some reason, wearing colour or a print when you are home alone feels unnecessary and effortful, but pulling on something bright is no more work than pulling on something in a sludgy-grey-brown and if it’s just for you, there’s no better reason to wear it. 

AND A BRA BETWEEN NINE AND FIVE 
Of all the constricting items given up in these times, bras were supposedly the first to go. Like wine and Netflix, bralessness is tempting but ultimately, an unwise choice for day. Not because a woman should wear a bra or because being naked under your shirt feels weird on a Zoom call and, depending on the lighting, may be discernible to everyone else on it. Only because, Liz-Lemoning your bra out one sleeve before pouring yourself a silo of pinot is your chief reward for a day’s graft. Also if your office is also your sofa, underwire or the absence of it is the best demarcation between day and night. Spanx at home, of course not. Heels, why would you? Pants, up to you. But bra? Absolutely. 

GET CHANGED 
As discussed,¬†treat to begin with¬†but¬†ultimately¬†all-day-sweatpants are¬†deleterious to¬†wellbeing.¬†Athleisure¬†is¬†a tempting alternative¬†but like actual workwear,¬†it hurts by¬†lunchtime ‚Äď tight at the waist¬†and¬†weirdly hot behind the knees.¬†The trick is to wear something¬†comfortable but not¬†100 per cent comfortable during the day and¬†when it‚Äôs time to punch out,¬†change into¬†the truly, deliciously comfortable¬†sweatpants that by now,¬†you¬†have totally earned.¬†


 

ABOUT AUTHOR MEG MASON

Meg Mason began her career at the Financial Times and The Times of London. Her work has since appeared in The Sunday Times, The Sydney Morning Herald and The Sunday Telegraph. She has written humour for The New Yorker and Sunday STYLE, monthly columns for GQ and InsideOut and is now a regular contributor to Vogue, ELLE and marie claire. Her first book Say It Again in a Nice Voice (HarperCollins) was published in 2012. Her second, You Be Mother (HarperCollins) was published in 2017. She lives in Sydney with her husband and two daughters.

SORROW AND BLISS

Spiky, sharp, intriguingly dark and tender, full of pathos, fury and wit, Sorrow and Bliss, the latest book by Meg Mason is a dazzling, distinctive novel from a boldly talented writer. For fans of Sally Rooney, Taffy Brodesser-Akner and Fleabag. 

ENTER TO WIN: 

To celebrate those rare friends which light up our world despite seeing
us through our darkest moments ~ we’ve joined publisher Harper Collins Australia to give two book lovers a chance to WIN: 
1 x SORROW AND BLISS Book by Meg Mason
1 x $250 OBUS Online Gift Card
Enter via Instagram

Zesty Lemon Tarts for Fathers Day with Qew

Zesty Lemon Tarts for Fathers Day with Qew

We've put together a little yumminess to celebrate the dads in your life this Father's Day.
This simple LEMON TART RECIPE is perfect for a zesty Sunday afternoon treat, or can be packaged up as a sweet little lockdown delivery for your neighbours.

Ingredients

For the pastry
  • 175g/6oz¬†plain flour

  • 100g/3¬Ĺ oz cold¬†butter, cut into small cubes

  • 25g/1oz¬†icing sugar

  • 1 free-range¬†egg¬†yolk

  • 1 tbsp cold water

For the filling
  • 5 free-range¬†eggs

  • 125ml/4fl oz¬†double cream

  • 225g/8oz¬†caster sugar

  • 4¬†lemons, juice and zest

  • icing sugar, for dusting

 Method

  1. For the pastry, place the flour, butter and icing sugar into a food processor. Pulse briefly until the mixture resembles breadcrumbs, then add the egg yolk and one tablespoon of cold water.

  2. Pulse again until the mixture sticks together in clumps then tip onto a work surface and gather it into a ball with your hands. Knead the pastry just two or three times to make it into a smooth ball. Wrap it in cling film and place in the refrigerator for 15 minutes.

  3. Grease 12 x 7.5cm/3in fluted tart tins.

  4. Roll out the pastry to a thickness of 5mm/¬ľin. Cut out circles with a 10cm/4in round cutter and use to line the tins, re-rolling the pastry as necessary. Place the tart cases in the fridge to chill.

  5. Preheat the oven to 200C(180C fan)/400F/Gas 6.

  6. Cover the base of the tartlets with baking parchment or foil and fill with a few baking beans.
  7. Bake blind for seven minutes then remove the parchment and beans.

  8. Return the pastry cases to the oven for another 4-5 minutes or until they are light golden-brown and completely dry. Set aside to cool while you make the filling. Reduce the oven temperature to 170C(150 fan)/325F/Gas 3.

  9. For the filling, break the eggs into a large bowl and whisk together with a wire whisk. Add the rest of the filling ingredients and whisk again until they are all well-combined. Pour the filling mixture into a jug, then into the cooled baked pastry cases. To prevent it spilling as they go into the oven, pour in most of the filling so it almost fills the tarts, carefully sit the baking sheet and tarts on the oven shelf, then top up with the rest of the filling to completely fill the tarts.

  10. Bake for about seven minutes, or until just set but with a slight wobble in the centre.

  11. Leave to cool slightly then carefully ease the tartlets from their tins an place on a wire rack to cool completely.

  12. Garnish with fresh lavender, pomegranate seeds or a drizzle of melted chocolate.

 



Recipe courtesy of Mary Berry from British Bake Off

Photo courtesy of Qew Hector featuring Obus Aster Collection.

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